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Detect and remove DC offset from audio

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Detect brief signal dropouts and silent gaps in audio

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Speech-focused cleanup for noisy evidence and interview recordings: documented FFmpeg filter chains with presets for evidence clarity, broadcast, telephone band and transcription prep.

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Compare an original master with its lossy encode and flag pre-echo, transient smearing, bandwidth loss and stereo damage, with per-event timestamps.

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Hear and measure what streaming does to your master: encode to MP3, AAC or Opus at real streaming bitrates, decode back, and compare loudness shift, true-peak overshoot and headroom against the original — the Apple Digital Masters round-trip audition as a report plus downloadable preview files.

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Package an album for digital distribution: distributor-profile compliance checks, cover-art validation, MP3 previews, FLAC archive copies and a delivery ZIP with a README and machine-readable manifest.

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Validate an album for gapless playback: inter-track seam gaps, pre-roll and tail silence, encoder delay metadata, and sample-format consistency across every track.

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Compare a source mix against its master: integrated LUFS, true peak, LRA, DR dynamic range, crest, spectral balance and waveform strips, with every delta spelled out.

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Detect and dynamically attenuate harshness in the 2–5 kHz presence band — a dynamic-EQ-style cut that only bites when the band actually plays loud.

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Detect and reduce 150–500 Hz low-mid buildup — the stacked-fundamentals mud that turns a mix boxy — with a measured, focus-tuned parametric cut.

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Compare kick and bass timing/phase in the low band, report the offset and polarity, and export the corrected track with sample-accurate alignment.

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Match your mix's tonal balance and loudness to a reference track and export the corrected master, with a before/after third-octave band report.