Interactive simulation of CMY subtractive color mixing with cyan, magenta, and yellow pigments and their combinations
Subtractive color mixing describes how pigments, dyes, and paints combine to create colors by absorbing (subtracting) certain wavelengths of light and reflecting others. Unlike additive color mixing (RGB) used in screens, subtractive mixing starts with white light and removes colors as pigments are added. The CMY (Cyan, Magenta, Yellow) model is the foundation of color printing and painting.
Cyan, magenta, and yellow are the primary subtractive colors. Each pigment absorbs its complementary color from white light: cyan absorbs red, magenta absorbs green, and yellow absorbs blue. When two pigments mix, they absorb two primary colors, reflecting the third. When all three combine at full strength, they theoretically absorb all colors, creating black (though in practice, it's often a dark brown).
While combining cyan, magenta, and yellow at 100% should theoretically produce pure black, real-world pigments are imperfect. The result is usually a muddy dark brown rather than true black. Adding pure black ink (K for Key) provides several advantages: true black color, more economical (using one black ink instead of three color inks), better text and detail reproduction, and deeper shadows in images. This is why printers use the CMYK color model.
Inkjet and laser printers use CMYK cartridges to reproduce full-color images on paper by layering tiny dots of cyan, magenta, yellow, and black ink.
Artists mix paints using subtractive color principles. Understanding which colors mix to create others is fundamental to color theory in fine arts.
Graphic designers must understand CMYK for print materials, while photographers work in RGB for screens but convert to CMYK for printing.
Fabric dyeing uses subtractive color mixing principles to create colors by combining different dyes that absorb specific wavelengths.